Finger on the Pulse
This is a great enhancement to any mindreading routine. I like to use it right before revealing a piece of peeked information.
Articles focused on rehearsal, technique, scripting, and craft development.
This is a great enhancement to any mindreading routine. I like to use it right before revealing a piece of peeked information.
Sara Rodríguez offers her observations and insights on this elusive shuffle; and why it is sometimes important to pursue a challenge, for the pure joy of it.
Here's a terrific trick originally published in Genii by Judson Brown and Charlier Miller with a fun, Sadowitz twist.
Genii's Jim Steinmeyer joins Blake Vogt and pair tackle a old plot and elevate it to new heights building both routining, and an ending.
This routine checks every box for a professional piece: it hits hard, it takes up no space, it can be done at any point in the show, requires almost no setup, and lets you move around the stage.
Adam Elbaum gives us wonderfully detailed touches on a favorite effect, that will win you points as you present elevated card magic.
Blake Vogt invites his old friend Justin Willman to join him in the inventing challenge. Their playful antics wind up being a really strong parlor piece!
“You know, a lot of times when people see a magic trick, they think it is a puzzle. But the more important question is, can a puzzle be magic? I’m going to show you an optical illusion, it’s like a puzzle. And I’m going to make it magical. This might sound the same, but it’s actually different.”
“You know, a lot of times when people see a magic trick, they think it is a puzzle. But the more important question is, can a puzzle be magic? I’m going to show you an optical illusion, it’s like a puzzle. And I’m going to make it magical. This might sound the same, but it’s actually different.”
The routine was superb for its clarity and repetition. The trick seemed to defy any explanation. Yet it only required a double lift!
Blake brings on Canadian magician Jay Sankey to play around with the secret package that they mailed to each other.
Are there enough superlatives to be tossed in Dai Vernon’s direction? The answer is no. I had the pleasure of sitting with The Professor on many occasions and each and every time I learned something new.
The magician comes on stage and reflects: “It is possible to define magic as the eruption of the impossible into reality. But also, we could think of it as a reality within another reality, like a bubble within which other rules prevail. For example...”