When I watch recordings of Doug Henning, I undoubtedly feel the presence of greatness. His persona was distinct and inviting—a revolutionary shift from how magicians were perceived in the 1970s. He was also technically skilled, performing beautiful renditions of the Torn and Restored Cigarette Paper and Paul Harris’ Twilight. (He studied under both Slydini and Vernon, after all.) That said, he’s most widely recognized for his illusions; he premiered dozens of them during his career. He was the very best, and he demanded the very best—and that’s why he trusted William Kennedy to build his illusions.
This content is for members only
Get unlimited access to all things magical and wondrous. All in one place for a special offer.
Already have an account? Sign in