Blackjack Transpo
This is a great card routine, rooted in a game that almost everyone knows how to play. A neat way to get spectators drawn into your magic.
Articles focused on rehearsal, technique, scripting, and craft development.
This is a great card routine, rooted in a game that almost everyone knows how to play. A neat way to get spectators drawn into your magic.
In an one-hour jam, Blake and his friend Josh Jay invent a very strong, yet practical parlor effect.
A great close-up card piece that involves three to four of your audience members. While it is practically self-working, and yet seems impossible.
This is a great enhancement to any mindreading routine. I like to use it right before revealing a piece of peeked information.
Sara Rodríguez offers her observations and insights on this elusive shuffle; and why it is sometimes important to pursue a challenge, for the pure joy of it.
Here's a terrific trick originally published in Genii by Judson Brown and Charlier Miller with a fun, Sadowitz twist.
Genii's Jim Steinmeyer joins Blake Vogt and pair tackle a old plot and elevate it to new heights building both routining, and an ending.
This routine checks every box for a professional piece: it hits hard, it takes up no space, it can be done at any point in the show, requires almost no setup, and lets you move around the stage.
Adam Elbaum gives us wonderfully detailed touches on a favorite effect, that will win you points as you present elevated card magic.
Blake Vogt invites his old friend Justin Willman to join him in the inventing challenge. Their playful antics wind up being a really strong parlor piece!
“You know, a lot of times when people see a magic trick, they think it is a puzzle. But the more important question is, can a puzzle be magic? I’m going to show you an optical illusion, it’s like a puzzle. And I’m going to make it magical. This might sound the same, but it’s actually different.”
“You know, a lot of times when people see a magic trick, they think it is a puzzle. But the more important question is, can a puzzle be magic? I’m going to show you an optical illusion, it’s like a puzzle. And I’m going to make it magical. This might sound the same, but it’s actually different.”
The routine was superb for its clarity and repetition. The trick seemed to defy any explanation. Yet it only required a double lift!