Mind, Myth & Magick
The seminal text on mentalism is back in print. Find out why this is the go-to book for any serious student on the subject.
Reviews, previews, and features on books about magic, performance, or theory.
The seminal text on mentalism is back in print. Find out why this is the go-to book for any serious student on the subject.
This book contains material well within the reach of any intermediate close-up performer. The routines seem to be designed with the restaurant worker in mind.
Calico is composed entirely of tricks using coins that look visibly different. The tricks shared here seem impossible even to someone who has read Bobo and Roth.
This “expert” biography assumes that the pillars of 20th-century stage magic are known to you: Kellar, Thurston, Blackstone, Dante. But it tells the story of 20th-century magic from the less famous side—the Great Depression, World War II, live performance giving way to film and television.
This “expert” biography assumes that the pillars of 20th-century stage magic are known to you: Kellar, Thurston, Blackstone, Dante. But it tells the story of 20th-century magic from the less famous side—the Great Depression, World War II, live performance giving way to film and television.
The Magic of Hope is a humble, paperback collection of story- infused tricks, routines, and thoughts that mean to bring hope and inspiration to their viewers and performers alike.
Though many effects require assembling props, Borer’s instructions are clear, the materials are affordable, and the DIY process is straightforward. He favors prepared decks, allowing for visually striking methods that pure sleight of hand rarely attains.
Craig Petty knows how to structure and teach hard-hitting, flashy magic for the every-audience. Absolute Madness is a fast and easy read with an accompanying performance-only video of the described effects.
With some lovely choice words, a pack of cards, a magic wand, a wine glass, and a glass bell jar, Luke Jermay has brought to life a piece of art in The Hummingbirds.
Looking at the cover and the title, you would think this was a theory monograph. It’s actually a card trick. And while most magic releases are engineered to be as easy as possible, this card trick is complicated, hard, and will absolutely not go “right into your show.”
Oliver Meech has produced an easy-to-read collection of even-easier-to-do card material. It is quirky in a Paul Harris, Jay Sankey sort of way that screams “don’t take me too seriously.”
Flamenco is the third in the series of “Bewitched Music” following Sonata (1989) and Mnemonica (2004). Distinct from the other celebrated trilogy that deals with magic in a more abstract theoretical way, this book is tricks and sleights from cover to cover.
From the early 19th century to the present, magicians have devised ingenious methods to defy gravity on stage. Intrigued by this graceful form of illusion, David Haversat has assembled a sumptuous visual record of its evolution.