Since I was young, I’ve thought that doing the same thing, over and over again, felt like hell. I’ve never believed in heaven, but I’m pretty sure if there is a hell, it is a never-ending loop of sameness. No, thanks!
Trying new things is scary for most performers, and the fear of looking ridiculous is paralyzing. But we should be able to transcend that fear by now, because, let’s face it: we are grown-ups pretending to have powers, and that is ridiculous enough. We always win when we try new things, because when we succeed, we win; and when we fail, we learn. When we learn, we win! So nothing to lose my friends! Maybe there is a bruised ego, but that can be a good thing, too.
Having a magical experience is a delicate state that many people in our audience may hesitate to explore. That is their loss, and a shame. We can, however, help them dive into it by adding some sophistication and depth to what we do with our magic. We can intentionally put some pieces in place, so we have a better chance of hitting our target.
I’ll start with how we make a first impression. I’m not talking about the usual first impressions, like hygiene and wardrobe. I hope you already understand those sorts of impressions. What interests me is: What is going on inside my head, what am I paying attention to, what kind of energy am I bringing, how is my body prepared? I try to be fully aware of what is happening before I start my show, or even before I arrive for the performance.
I’ve realized that when I’m tense, insecure, or anxious about some part of my show, it will translate into speed, disconnection, and a bit of extra harshness in my reactions. All of that has nothing to do with the audience. I now understand that I set the rules, I decide how to engage, and I decide the tone and energy of every gathering.